Introduzione; Napoli 1879: “Sinurì, chesta è essa!”; “Pregiatissima Signora…”: gli esordi nella Compagnia di Torino; Il repertorio francese. Dumas fra pièce bien faite e pièce à thèse; La Principessa di Bagdad e la modernità della Duse; L’anno 1882: Sarah, Margherita Gautier e la ‘linea’ della Duse; Il gusto immorale dell’arte; L’incontro con Verga. Cavalleria rusticana; Fedora di Sardou: un copione da demolire; Appendice: Il copione della Principessa di Bagdad; Riferimenti bibliografici; Indice dei nomi.
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